The living of Art.

There is no single “art of living.” There are as many ways to live as there are lives. But there is art within life—ranging in impor­tance from inci­den­tal to essen­tial. In my own life, art has always played a cen­tral role. It was public, and in my child­hood and youth my par­ents rarely missed an exhi­bi­tion. Along­side hikes through the Taunus, it was our favorite diversion.

Early on I noticed how dif­fer­ent­ly people and fam­i­lies relate to art. Out­side my family, I was often alone with my admi­ra­tion. Not until upper school did I find real res­o­nance, when my art teacher sparked in me an open com­mit­ment to art.

Art tells you a great deal about people: what they love, revere, or reject; how they posi­tion them­selves toward it. Through a person’s rela­tion­ship to art, I’ve been able to learn a lot—without words, status sym­bols, or sto­ries. Walls don’t lie.

Nor do book­shelves. You could once read a person by the books they owned—and by their records. There were many clear signs of who stood before you. Much of that has van­ished from view today. As a result, it’s become harder to read people; posing and pos­tur­ing are easier than ever.

It wasn’t pos­si­ble to the same extent back then. Anyone who had Miles Davis on vinyl, Pablo Neruda on the shelf, and the film poster of “2001: A Space Odyssey” on the wall had already said every­thing about themselves.